There is little affect in Toril Johannessen’s exhibition at Bergen Kunsthall, but it is full of the most human of all resources: labour.
Earthworks showcases pioneering work on Nordic eco-art, but the exhibition’s most pressing questions do not take proper flight.
Is Ragnar Kjartansson, currently showing at Louisiana, making art for those who don’t like art, or is he the Nordic region’s foremost artist of the last 30 years?
Camille Norment brilliantly connects individual perception to a collective political history in this year’s festival exhibition at Bergen Kunsthall.
Bergen Assembly 2022 is behavioural therapy for a contemporary art scene that needs to relax.
‘Did you go to sleep with your dead wife in your lap, father?’ Lene Berg’s Festival Exhibition at Bergen Kunsthall pulls no punches.
Bergen Kunsthall’s new exhibition would have benefitted from less reverence towards the avant-garde tradition.
Elisabeth Haarr, this year’s Festival Exhibitor at Bergen Kunsthall, thinks we know far too little about textiles and the place they hold in the cultural history of the world.
Peter Wächtler is in full control of his palette at Bergen Kunsthall.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
