In Response to the Review of the Göteborg International Biennial for Contemporary Art 2017
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.