In Response to the Review of the Göteborg International Biennial for Contemporary Art 2017
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Transcaucasian film poems, a science-fiction retrospective, and an exhibition woven from nerve fibres. The Danish art autumn is all aquiver.
In election-year Sweden, the art scene is politically ambitious but institutionally cautious.
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
