Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
A recent international panel on art institutions called for more solidarity in the art field.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
Ilavenil Vasuky Jayapalan’s exhibition Eezhavati at Kunsthall Oslo, serves as a space for gathering strength.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
It is becoming increasingly obvious that the national pavilions at the Venice Biennale are a problematic and dated premise for international contemporary art.
Breaking news from art history, the duty to speak up against genocide, and conversations on art criticism. These are our most popular articles from 2023.
Kunstkritikk’s editor-in-chief, Mariann Enge, recommends two ongoing exhibitions and thinks back on one she fervently wishes she could see again.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.