Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
Ilavenil Vasuky Jayapalan’s exhibition Eezhavati at Kunsthall Oslo, serves as a space for gathering strength.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
It is becoming increasingly obvious that the national pavilions at the Venice Biennale are a problematic and dated premise for international contemporary art.
Breaking news from art history, the duty to speak up against genocide, and conversations on art criticism. These are our most popular articles from 2023.
Kunstkritikk’s editor-in-chief, Mariann Enge, recommends two ongoing exhibitions and thinks back on one she fervently wishes she could see again.
Nearly fifty of the magazine’s contributors demand the reinstatement of David Velasco, who lost his job after publishing an open letter calling for a ceasefire in Gaza.
When Western leaders fail to condemn Israel’s bombing of civilian Palestinians in Gaza, it becomes the people’s responsibility – and the responsibility of artists and cultural workers – to protest.
With the introduction of tuition fees for international students, Norway has become one of the most heavily guarded towers in Fortress Europe.
Norwegian proposals for increased funding for periodicals and criticism should not only be heeded by the authorities, but also serve as inspiration for colleagues in other countries.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
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