Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
Ilavenil Vasuky Jayapalan’s exhibition Eezhavati at Kunsthall Oslo, serves as a space for gathering strength.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
It is becoming increasingly obvious that the national pavilions at the Venice Biennale are a problematic and dated premise for international contemporary art.
Breaking news from art history, the duty to speak up against genocide, and conversations on art criticism. These are our most popular articles from 2023.
Kunstkritikk’s editor-in-chief, Mariann Enge, recommends two ongoing exhibitions and thinks back on one she fervently wishes she could see again.
Nearly fifty of the magazine’s contributors demand the reinstatement of David Velasco, who lost his job after publishing an open letter calling for a ceasefire in Gaza.
When Western leaders fail to condemn Israel’s bombing of civilian Palestinians in Gaza, it becomes the people’s responsibility – and the responsibility of artists and cultural workers – to protest.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk is supported by
