Can the Subaltern Build a Museum?
Two new art institutions in Almaty, Kazakhstan, are redefining the city’s role as a Central Asian contemporary art hub squeezed between Moscow and Beijing.
Two new art institutions in Almaty, Kazakhstan, are redefining the city’s role as a Central Asian contemporary art hub squeezed between Moscow and Beijing.
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The 22nd Biennale of Sydney is a highly located and physical exhibition experience which, after being open for just 10 days, can only be accessed online.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
Curator Frank Wagner and artist David Wojnarowicz were part of communities that we should not forget. Exhibitions at KW and Between Bridges in Berlin make sure we don’t.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.