In Their Own Right
Greenland’s art scene has arrived. Shamans assist the curators, and the world’s first-ever national gallery devoted to the art of an Indigenous People is taking shape in Nuuk.
Greenland’s art scene has arrived. Shamans assist the curators, and the world’s first-ever national gallery devoted to the art of an Indigenous People is taking shape in Nuuk.
Two new art institutions in Almaty, Kazakhstan, are redefining the city’s role as a Central Asian contemporary art hub squeezed between Moscow and Beijing.
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The 22nd Biennale of Sydney is a highly located and physical exhibition experience which, after being open for just 10 days, can only be accessed online.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
Curator Frank Wagner and artist David Wojnarowicz were part of communities that we should not forget. Exhibitions at KW and Between Bridges in Berlin make sure we don’t.
At Henie Onstad, Ann Lislegaard’s brooding, apocalyptic tone feels less unsettling than predictable, trading genuine tension for a well-worn sense of gloom.
A glossy promise hovers just beyond the frame at the artist-run space Antics in Stockholm.
Inuuteq Storch captures the life-or-death struggle between indigenous identity and its image.
Who steps up when the world is running amok? Kåre Frang draws a razor-sharp portrait of our era’s frayed nervous systems.