Hybrid Happenings in the Russian Borderlands
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The 22nd Biennale of Sydney is a highly located and physical exhibition experience which, after being open for just 10 days, can only be accessed online.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
Curator Frank Wagner and artist David Wojnarowicz were part of communities that we should not forget. Exhibitions at KW and Between Bridges in Berlin make sure we don’t.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
After the death of Lars Vilks, the future of his site-specific work has been uncertain. Now the question of ownership is resolved, but some obstacles remain.
After coming to Sweden as a refugee of the Islamic Revolution in Iran, Mandana Moghaddam has been guided by a belief in art as a connecting force.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.