Hybrid Happenings in the Russian Borderlands
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The invasion of Ukraine began during this year’s Barents Spektakel. In one fell swoop, much of the festival’s programme took on a very different significance than planned.
The 22nd Biennale of Sydney is a highly located and physical exhibition experience which, after being open for just 10 days, can only be accessed online.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
Curator Frank Wagner and artist David Wojnarowicz were part of communities that we should not forget. Exhibitions at KW and Between Bridges in Berlin make sure we don’t.
Swedish-born Valeria Montti Colque will represent Chile at the 60th Venice Biennial, an event of great symbolic significance for the Chilean diaspora.
If truth is the first casualty of war, art is one of the next. This year’s Kyiv Biennial is a struggle of resistance.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Curators’ efforts to blur formal hierarchies tend to veil the power they themselves wield.