Curator Frank Wagner and artist David Wojnarowicz were part of communities that we should not forget. Exhibitions at KW and Between Bridges in Berlin make sure we don’t.
Haus der Kulturen der Welt in Berlin has started the last chapter of the broad-reaching trilogy that started with The Anthropocene Project in 2013. This time, it is all about the alphabet.
In the 2010s, Norwegian cultural politics began the deliberate disassembly of a functioning system under the pretence of having something to replace it with.
In his day, Erling Viksjø, architect of the Oslo Government District, was called a “bulldozer” and an “enemy of culture.” Today, his own legacy is facing demolition.
Set against an iconic cinematic backdrop depicting the streets of New York, the Frieze Los Angeles art fair has every opportunity to juggle with the artificial, the commercial, the superficial – and Hollywood.
During the 2010s it has become apparent that the fascination of the archive can not be separated from the ideology of the digital data base.
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