A Slipping Surfer
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
At the National Museum in Stockholm, art is reborn as art in enlightened dialogue with the past.
Constance Tenvik’s interpretation of Greek antiquity at the Munch Museum in Oslo substitutes sexual and violent excesses for burlesque games.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Centre Pompidou’s centennial exhibition is a celebration of an art which surrenders itself to Eros.
Sculpture is re-articulated as a type of gathering in Silje Figenschou Thoresen’s exhibition at the Astrup Fearnley Museum in Oslo.
Frida Orupabo’s exhibition at Bonniers Konsthall is unambiguously political.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.