Reflections on Immediacy
Our obsession with instant emotional returns robs us of the ability to understand the culture in which we live.
Our obsession with instant emotional returns robs us of the ability to understand the culture in which we live.
Denmark is awash with spring blockbusters – plus glimpses of experiments and resistant poetics.
Can art address issues other than the environment in 2024? Not according to Norwegian institutions’ spring programmes.
The National Museum is in a crisis and a call to support Gaza divides the art world but everyone joins hands for the sake of queer- and performance art.
When the ideas about art’s autonomy and the death of the author have been consigned to the landfill, all that remains is the naked sender.
In its tenth iteration, Performa in New York City seems to have forgotten to ask itself fundamental questions about the relevance of its curatorial model.
But the images survive forever. Postcard from a residency.
No curator. Not even a finding commission. What’s happening with Documenta? Is it time for a reboot – or is the end nigh?
Curators’ efforts to blur formal hierarchies tend to veil the power they themselves wield.
France celebrates as the philosopher’s fabled lectures are finally committed to print.
Critics must break the chains of administrative power.
When Western leaders fail to condemn Israel’s bombing of civilian Palestinians in Gaza, it becomes the people’s responsibility – and the responsibility of artists and cultural workers – to protest.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.