All articles by Nicholas Norton

Body Feels

Damla Kilickiran’s exhibition at The Young Artists’ Society in Oslo shows how the pandemic has made us so focused our own bodies that our surroundings dissolve.

The Last International

Bouchra Khalili’s exhibition at Fotogalleriet and Oslo Kunstforening raises questions about what solidarity means at a time when revolutionary movements have largely been defeated.

Postcolonial Bell Jar

Astrup Fearnley Museum’s presentation of contemporary African art gives the impression that the ripple effects of colonialism are an exclusively African issue.

Recently published

Sensitive Days

Mamma Andersson oscillates between landscape drama and silent homes in a major solo show at Louisiana presenting confident paintings with a laid back vibrating undercurrent.

Dead Phallus

In Matthew Barney’s comeback at the Hayward in London, self-mythologising has given way to a dark and icy world where environmental violence prevails.