Bouchra Khalili’s exhibition at Fotogalleriet and Oslo Kunstforening raises questions about what solidarity means at a time when revolutionary movements have largely been defeated.
Rosa-Johan Uddoh’s performance videos criticise white hegemony in British media with verve and wit.
The exhibition programme Struktura in Oslo reminds us that there’s an ongoing ideological battle over the use of information technology.
Astrup Fearnley Museum’s presentation of contemporary African art gives the impression that the ripple effects of colonialism are an exclusively African issue.
Artificial light is linked to the demand for ceaseless economic growth in Istvan Virag’s pessimistic exhibition debut.
Martin Sæther’s low-key and poetic exhibition at UKS in Oslo gives centre stage to the impersonal details of home interiors.
The most efficient images in Sille Storihle’s short film on teenage girls with ADHD is the intimate descriptions of restless heads, hands and feet.
Joar Nango’s festival exhibition at Bergen Kunsthall is an inspiring invitation to expand our minds and knowledge and to carry out fundamental change.
The Berlin Biennial is taking place against all odds. But adamant to meet the current crisis, the exhibition’s progressive politics makes for a conventional and repetitive viewing experience.
Criticism has moved from the daily newspapers to niche media. This should be reflected in Denmark’s new media policy agreement, says Kamilla Löfström of United Critics Denmark.
The Work of Mourning at Bonniers Konsthall not only speaks to the current state of affairs, it also emits the sincerity of experiences connected to real change.
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