Nicholas Norton (f.1989) er kunsthistoriker og skribent.
Ten Billion Pixels
High resolution images don’t make us more perceptive. Quite the contrary.
Nicholas Norton
All articles by Nicholas Norton
Revolution at the Office
Actions of Art and Solidarity at Kunstnernes Hus in Oslo merges past political struggles into an instrument in service of institutional goals.
The Last International
Bouchra Khalili’s exhibition at Fotogalleriet and Oslo Kunstforening raises questions about what solidarity means at a time when revolutionary movements have largely been defeated.
Faces Like Mine
Rosa-Johan Uddoh’s performance videos criticise white hegemony in British media with verve and wit.
The World Is a Computer
The exhibition programme Struktura in Oslo reminds us that there’s an ongoing ideological battle over the use of information technology.
Postcolonial Bell Jar
Astrup Fearnley Museum’s presentation of contemporary African art gives the impression that the ripple effects of colonialism are an exclusively African issue.
You’re Living in a Greenhouse
Artificial light is linked to the demand for ceaseless economic growth in Istvan Virag’s pessimistic exhibition debut.
The Invisible Ornamentation of Everyday Life
Martin Sæther’s low-key and poetic exhibition at UKS in Oslo gives centre stage to the impersonal details of home interiors.
Undiagnosed Bodies
The most efficient images in Sille Storihle’s short film on teenage girls with ADHD is the intimate descriptions of restless heads, hands and feet.
