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Ghosts Demand Justice
Jane Jin Kaisen’s exhibition at IAC in Malmö suggests the impossibility of representing Korea’s traumatic past, but argues for the necessity of recording its effects.
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All articles (22)
Activist Acidity
Gustav Metzger’s work at Kunsthall Oslo and Kunstnernes Hus poses important questions about both material activism and human/non-human agency.
Dressed for the Future
The retrospective format is feared by most artists, but not by Dominique Gonzalez-Foerster: her retrospective in Paris deals fearlessly with past and future alike.
Images of a World Collapsing
Chto Delat captures political apathy at Gävle Konstcentrum, but the works need a more speculative form to better approach the disjointed subject they postulate.
Self-harm in Front of the Scanner
Vibeke Tandberg’s exhibition Infinite Signature at OSL Contemporary reaffirms the artist’s tremendous will to self-destruct, but is she truly ready to let go?
A Wall More Real Than Itself
Mikkel Carl’s exhibition at Annaelle Gallery in Stockholm includes a masked wall and marble objects made out of felt, involving the viewer in a Janus-faced game of differences.
Zombie Metabolism
Rotting zombies dripping with sweat-like glazes and sporadically stuck-on hair dominate Rolf Nowotny’s brutally repulsive exhibition at Tranen in Hellerup.
The Internet is a Sea of Men
Jennifer Chan’s exhibition at Galleri CC in Malmö juxtaposes videos and web chats with objects made from perishable materials. The theme is affinity, on- and off-line.
From a Distance All Poems Look the Same
In view of the radical distribution plans, The Word’s Head project at the Oslo Pilot project space demonstrates a surprisingly conservative view of poetry.
We’re All in This Together
Just how much is the rise of the network affecting our daily lives? Co-Workers in Paris gives us a speculative glimpse of our future as seen from the present.
Evokes a Need for Rebellion
Olafur Eliasson’s exhibition at Moderna Museet is a model for a society of control where we are all allowed to have fantastic sensory experiences.
From Post-Internet to Post-apocalyptic
Tiril Hasselknippe’s show at Bianca d’Alessandro rubs the artists post-apocalyptic narratives against art history, marking a radical departure from her post-Internet beginnings.
