Malmö Konsthall’s retrospective feels like falling into someone’s cryptic notebook.
Art critic Christine Antaya’s year was brightened by a newfound love of nonsense.
This year’s most memorable exhibitions according to Kunstkritikk’s Christine Antaya.
Agnes Denes’s torch is carried on by Åsa Sonjasdotter.
A focus on wellness and sustainability sends a breath of fresh air through Wanås sculpture park. But coddling the audience can never replace good sculpture.
At Lund Konsthall, Aslan Goisum makes the audience navigate between graves.
Which of this year’s exhibitions played on Christine Antaya’s heartstrings?
Author Hettie Judah thinks it is time to imagine other artists than unencumbered males.
Art critic Christine Antaya lists her three favorite exhibitions in 2021.
Astrid Svangren on her search for sensory precision in painting, her love for Sappho’s poetic fragments, and the importance of being hard on yourself as an artist.
A love goddess, a breastfeeding mother, and a carnivorous plant are all part of Sara Anstis’s mysterious world at Nevven Gallery in Gothenburg.
Which were the most memorable art experiences of 2019? Today we hear from Christine Antaya, art critic and writer for Kunstkritikk.
Moderna Museet’s painting bonanza glitters, but leaves little room for sustained looking.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
