Art critic Christine Antaya lists her three favorite exhibitions in 2021.
Astrid Svangren on her search for sensory precision in painting, her love for Sappho’s poetic fragments, and the importance of being hard on yourself as an artist.
A love goddess, a breastfeeding mother, and a carnivorous plant are all part of Sara Anstis’s mysterious world at Nevven Gallery in Gothenburg.
Which were the most memorable art experiences of 2019? Today we hear from Christine Antaya, art critic and writer for Kunstkritikk.
Michael Rakowitz’s exhibition in Malmö deepens the narrative of the Middle East’s lost cultural heritage.
Nina Roos’s exhibition at Lund’s Konsthall appears to emerge from within the paintings themselves.
The soon-to-be former director of Malmö Art Museum stresses the importance of continuity for the small konsthall in Tensta, which celebrates its 20th anniversary in 2018.
Johan Skoog’s exhibition about the late artist Richard Vogel emphasises working in common as a fundamental component of artistic practice.
In the age of the mobile phone camera, this award emphasizes photography as a separate category of image creation, says this year’s Hasselblad Award winner, Stan Douglas.
– Art can give us an experience of belonging, says Jumana Manna, whose exhibition A magical substance flows into me opens at Malmö Konsthall tomorrow.
Jennifer Chan’s exhibition at Galleri CC in Malmö juxtaposes videos and web chats with objects made from perishable materials. The theme is affinity, on- and off-line.
Facing yet another Covid spring, Sweden’s exhibition season will be locally produced and unsensational. Nevertheless, there are som gems to look forward to.
The Light & Space movement takes centre stage in Copenhagen Contemporary’s ‘biggest exhibition to date’, but this vast sea of light drowns out the works and their ostensible magic.
Our ten most popular articles from 2021.
Kunstkritikk’s Editor-in-Chief Mariann Enge shares three of the art events that were most important to her this year.
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