Pist Protta go wild at Charlottenborg with a “museum exhibition” that is actually an immersive installation centred on the journal’s 70+ issues.
– I didn’t want the first exhibition to be a clear-cut aesthetic or political statement, says Jacob Fabricius about his new programme for Kunsthal Aarhus. The exhibition Baby Doc opens tonight.
Who would have thought that the rebirth of Venus would take place at a public library in Hellerup? Astrid Svangren has transformed Tranen into a sea of fabric, shells and braided hair.
Rotting zombies dripping with sweat-like glazes and sporadically stuck-on hair dominate Rolf Nowotny’s brutally repulsive exhibition at Tranen in Hellerup.
Kasper Akhøj and Tamar Guimãraes are participating in the group show curated by Katerina Gregos in the Belgian Pavilion. We met them for an afternoon drink.
Yesterday, Jaanus Samma opened A Chairman’s Tale at the Estonian Pavillon. We met him for a caffè macchiato just outside the Palazzo Malipiero.
“Wikipedia art” erodes the imagination. New knowledge must be created or emerge; otherwise the thing being created has no real legitimacy, says Goodiepal.
Jan S. Hansen’s exhibition at IMO in Copenhagen brings together two current trends that focus on materials and surfaces. The show mostly amounts to an example of a trend skilfully embodied.
Mette Winckelmann’s exhibition at Den Frie is about bodily and artistic emancipation, but misses out on its opportunity to contribute to the current queer-debate.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
