Pist Protta go wild at Charlottenborg with a “museum exhibition” that is actually an immersive installation centred on the journal’s 70+ issues.
– I didn’t want the first exhibition to be a clear-cut aesthetic or political statement, says Jacob Fabricius about his new programme for Kunsthal Aarhus. The exhibition Baby Doc opens tonight.
Who would have thought that the rebirth of Venus would take place at a public library in Hellerup? Astrid Svangren has transformed Tranen into a sea of fabric, shells and braided hair.
Rotting zombies dripping with sweat-like glazes and sporadically stuck-on hair dominate Rolf Nowotny’s brutally repulsive exhibition at Tranen in Hellerup.
Kasper Akhøj and Tamar Guimãraes are participating in the group show curated by Katerina Gregos in the Belgian Pavilion. We met them for an afternoon drink.
Yesterday, Jaanus Samma opened A Chairman’s Tale at the Estonian Pavillon. We met him for a caffè macchiato just outside the Palazzo Malipiero.
“Wikipedia art” erodes the imagination. New knowledge must be created or emerge; otherwise the thing being created has no real legitimacy, says Goodiepal.
Jan S. Hansen’s exhibition at IMO in Copenhagen brings together two current trends that focus on materials and surfaces. The show mostly amounts to an example of a trend skilfully embodied.
Mette Winckelmann’s exhibition at Den Frie is about bodily and artistic emancipation, but misses out on its opportunity to contribute to the current queer-debate.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
