Where’s Father?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
