Where’s Father?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
