17 December Nivi Christensen
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
