17 December Nivi Christensen
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.
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