All articles by Nikita Mathias

Flooded Churches

Per Barclay’s Oil Rooms, on view at Kode 4 in Bergen, invites us to reflect on the unwritten histories that lurk beneath the official edifices of our culture.

History Behind Glass

The exhibition Diorama. Inventing Illusion at Schirn Kunsthalle in Frankfurt misses the diorama’s potential as a tool to explore our digital present.

Out of Touch

For an exhibition that introduces a plastic medium like sculpture in its title, the ninth Norwegian Sculpture Biennial is noticeably lacking in works that invoke the haptic.

Sounding Death

Arrested on glass vitrines at Oslo Kunstforening in the chilly manner of laboratory specimens, Camille Norment’s tender baby skeletons still bubble with becoming.

Waltzing Objects

Endre Tveitan’s visually sparse video works at Kunstplass [10] tease objects that usually go unnoticed out on the dance floor.

The Integrator

As an art worker, my domain is the social world, says Mieke Bal, organiser of the two-day conference Modern Sensibilities that commences at the Munch Museum in Oslo today.

Recently published

Post-cinematic Affect

Jesper Just extends his film across the many rooms of Kunsthal Charlottenborg to tell stories about the architecture of the body, and sensory exhaustion in our present day.