In the Wake of Brexit
Between Brexit and last week’s crash of the British Pound, Frieze London took a tentative approach, evoking the 90s but failing to draw from the period’s exuberance.
Between Brexit and last week’s crash of the British Pound, Frieze London took a tentative approach, evoking the 90s but failing to draw from the period’s exuberance.
A founding member of Chilean conceptualist group CADA in the 1980s, Juan Castillo insists on art’s social function as a means toward collective liberation.
Mexican artist Damián Ortega’s exhibition at Malmö Konsthall is a worrying signal of the populist, for-all approach currently besieging many contemporary art institutions.
Nav Haq has been appointed curator of the 9th Gothenburg Biennial, which will deal with the topic of secularism in Europe.
Reinstalled in a former limestone pit outside Malmö, Mike Nelson’s concrete sculpture produced for Malmö Konsthall in 2012, is left with a tenuous relationship to its site.
For Heimo Zobernig, there is no existential drama to play out during painting’s inexorable march toward death.
Jane Jin Kaisen’s exhibition at IAC in Malmö suggests the impossibility of representing Korea’s traumatic past, but argues for the necessity of recording its effects.
The mystery novel Headless is the culmination of artist duo Goldin + Senneby’s evasive – perhaps cynical – inquiry into the world of offshore capital.
Runo Lagomarsino and Carla Zaccagnini’s exhibition at Malmö konsthall follows a comedic logic of displacement, but the result is mostly confined within the expected.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.