Minia Biabiany’s exhibition at Signal in Malmö deals with the will to forget colonial history. Its starting point is Guadeloupe’s time as a Swedish colony, 1813–1814.
– My proposal advocates tapping into the ability of art to tell us about the future, says Maria Lind who will be curating the 11th Gwangju Biennial in South Korea next year.
Institutet’s performance Toleranshuvan Reloaded at Malmö Konsthall draws a dangerous border between people and implies that the situation cannot be changed.
The new directors at Konsthall C in Stockholm are Jens Strandberg and Jenny Richards, who start with an exhibition by Mierle Laderman Ukeles opening this weekend.
Art critic Nora Arrhenius Hagdahl recalls this year’s magical Narnia moments.
Magnetic, almost poisoned paintings looking like haunted poems are among this year’s unforgettable works according to critic Nanna Friis
Artist Lotte Konow Lund’s three most resonant art experiences this year — one of them absolutely necessary.
Critic Jesper Strömbäck Eklund looks back on a year marked by the loss of a beloved colleague.
