Minia Biabiany’s exhibition at Signal in Malmö deals with the will to forget colonial history. Its starting point is Guadeloupe’s time as a Swedish colony, 1813–1814.
– My proposal advocates tapping into the ability of art to tell us about the future, says Maria Lind who will be curating the 11th Gwangju Biennial in South Korea next year.
Institutet’s performance Toleranshuvan Reloaded at Malmö Konsthall draws a dangerous border between people and implies that the situation cannot be changed.
The new directors at Konsthall C in Stockholm are Jens Strandberg and Jenny Richards, who start with an exhibition by Mierle Laderman Ukeles opening this weekend.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
