Minia Biabiany’s exhibition at Signal in Malmö deals with the will to forget colonial history. Its starting point is Guadeloupe’s time as a Swedish colony, 1813–1814.
– My proposal advocates tapping into the ability of art to tell us about the future, says Maria Lind who will be curating the 11th Gwangju Biennial in South Korea next year.
Institutet’s performance Toleranshuvan Reloaded at Malmö Konsthall draws a dangerous border between people and implies that the situation cannot be changed.
The new directors at Konsthall C in Stockholm are Jens Strandberg and Jenny Richards, who start with an exhibition by Mierle Laderman Ukeles opening this weekend.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
