All articles by Florian Schneider

The Right to Ambiguity

With Unlearning Optical Illusions at Trondheim Kunstmuseum, Toril Johannessen shows how art’s claim to ambiguity can open up a space of aesthetic transcendence.

Recently published

Post-cinematic Affect

Jesper Just extends his film across the many rooms of Kunsthal Charlottenborg to tell stories about the architecture of the body, and sensory exhaustion in our present day.