Grandmother’s Skin
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Showcase images always feature a pair of hands presenting something to us, often another image.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
