Grandmother’s Skin
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.
At the Danish Pavilion in Venice, the fertility crisis is displaced by an avalanche of sleek Scandinavian smut.
