Grandmother’s Skin
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Kateryna Lysovenko turns violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Five great works in and around Copenhagen right now.
