Forget the Art World
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
