Forget the Art World
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
David Hockney’s retrospective at Fondation Louis Vuitton is full of new beginnings.
Digital textures are punctured by lived experience in Ed Atkins’s retrospective at Tate Britain.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
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