Forget the Art World
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
HKW in Berlin revives Aby Warburg’s original picture atlas. For contemporary audiences it is a display both evocative and impenetrable.
Joar Nango’s festival exhibition at Bergen Kunsthall is an inspiring invitation to expand our minds and knowledge and to carry out fundamental change.
The Berlin Biennial is taking place against all odds. But adamant to meet the current crisis, the exhibition’s progressive politics makes for a conventional and repetitive viewing experience.
Criticism has moved from the daily newspapers to niche media. This should be reflected in Denmark’s new media policy agreement, says Kamilla Löfström of United Critics Denmark.
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