Hurry It’s Time!
Some of the webs found in Charlotte Johannesson’s artistic practice and why spinning and weaving the past into the future is so important.
Some of the webs found in Charlotte Johannesson’s artistic practice and why spinning and weaving the past into the future is so important.
The waves in Kinga Bartis’s painting Egg timer do not move in vain.
With a Danish ghost ship and humorous decolonial propaganda, the 11th Gothenburg Biennial wants to serve as a counter-narrative to the city’s official 400-year anniversary.
Damla Kilickiran’s exhibition at The Young Artists’ Society in Oslo shows how the pandemic has made us so focused our own bodies that our surroundings dissolve.
The collaboration between curator Théo-Mario Coppola and the biennial management has been broken off.
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