Hurry It’s Time!
Some of the webs found in Charlotte Johannesson’s artistic practice and why spinning and weaving the past into the future is so important.
Some of the webs found in Charlotte Johannesson’s artistic practice and why spinning and weaving the past into the future is so important.
Steffen Håndlykken, curator at Haugar Art Museum in Tønsberg, has begun to value the slow work that takes place deep within the museums.
Curator Jari Malta’s fondest memories were of daring, independent art spaces.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
