Many Nordic artists and cultural workers have signed. Moderna Museet, which is responsible for this year’s Nordic Pavilion, will not work to exclude other countries.
Ann Cathrin November Høibo plays on our desire to witness art’s conception.
The opening of the Barents Spektakel festival in Kirkenes will coincide with the anniversary of Russia’s invasion of Ukraine. Curators Neal Cahoon and Ingrid Valan explain why.
The new exhibition at Henie Onstad Art Center prompts us to ask why the HIV-virus still haunts the gay community today.
Ventura Profana’s exhibition at Tenthaus in Oslo trains the organism to escape the grip of pornographic capital.
Momentum’s director, Dag Aak Sveinar, responds to allegations of sabotage put forth in an open letter from dismissed curator Théo-Mario Coppola.
The Momentum Biennial opens this weekend against the will of its curator, Théo-Mario Coppola, who was recently fired.
At Kunsthall Stavanger, Jamian Juliano-Villani accelerates the visual logic of commercialism to expose contemporary culture for what it is: an absurd nightmare.
After a year of fierce conflicts, the newly elected rector of the Oslo National Academy of the Arts, Markus Degerman, wants to look ahead.
Partner of ex-minister used all available channels to throw suspicion on the play Ways of Seeing, according to Oslo District Court. Director Pia Maria Roll is relieved over the verdict passed on Friday.
The art academies in the three Scandinavian capitals are all without rectors – and with staff and students openly mistrusting the management.
These were the most important art events of 2020, according to Andreas Breivik, art critic and regular contributor to Kunstkritikk.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
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