‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Matias Faldbakken will create memorial to the 2011 terror attack in Oslo.
Many Nordic artists and cultural workers have signed. Moderna Museet, which is responsible for this year’s Nordic Pavilion, will not work to exclude other countries.
Ann Cathrin November Høibo plays on our desire to witness art’s conception.
The opening of the Barents Spektakel festival in Kirkenes will coincide with the anniversary of Russia’s invasion of Ukraine. Curators Neal Cahoon and Ingrid Valan explain why.
The new exhibition at Henie Onstad Art Center prompts us to ask why the HIV-virus still haunts the gay community today.
Ventura Profana’s exhibition at Tenthaus in Oslo trains the organism to escape the grip of pornographic capital.
Momentum’s director, Dag Aak Sveinar, responds to allegations of sabotage put forth in an open letter from dismissed curator Théo-Mario Coppola.
The Momentum Biennial opens this weekend against the will of its curator, Théo-Mario Coppola, who was recently fired.
At Kunsthall Stavanger, Jamian Juliano-Villani accelerates the visual logic of commercialism to expose contemporary culture for what it is: an absurd nightmare.
After a year of fierce conflicts, the newly elected rector of the Oslo National Academy of the Arts, Markus Degerman, wants to look ahead.
Partner of ex-minister used all available channels to throw suspicion on the play Ways of Seeing, according to Oslo District Court. Director Pia Maria Roll is relieved over the verdict passed on Friday.
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
Kunstkritikk’s Swedish editor on a year marked by fragile ways of seeing.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.
Medieval psychedelia on jute canvas punched a hole through wall and time for Kunstkritikk’s Norwegian editor, Stian Gabrielsen.
