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During a press conference at OCA last Thursday it was announced that US-born artist Camille Norment will represent Norway at the 2015 Venice Bienniale.
Oslo has hired Eva González-Sancho and Per Gunnar Eeg-Tverbakk to head the preparations for a large-scale presentation of public art.
Last time it was called Copenhagen Art Festival. That is no longer its name, but the same five art venues are behind the plans for a large-scale exhibition in Copenhagen in the autumn of 2015.
Next year Morten Traavik and Henrik Placht establish what may become an international art academy inside the dictatorship.
The Astrup Fearnley Museum claims that it does not have the budget to pay the artists contributing to the show Europe, Europe. However, the Arts Council Norway has granted funds earmarked for artist’s fees.
It was announced today that Lina Selander will represent Sweden at the Venice Biennale 2015.
“The intention was to create an exhibition without a manifesto,” said curator Kasper König during the press conference opening the 10th installment of Manifesta in St. Petersburg.
“Future Library invites an imaginary leap,” says Katie Paterson, who has launched an art project in Oslo that she will never see completed.
Danh Vo will represent Denmark at the 56th Venice Biennial in 2015.
Bergen Assembly has announced the artistic directors for 2016. Tarek Atoui, the curator duo behind Praxes, and the group freethought will each handle part of the triennial.
Only 5 out of 97 Taschen monographs present female artists. EvaMarie Lindahl and Ditte Ejlerskov urge the publishing house to take action.
The Italian curator currently directing Index Contemporary Art Foundation in Stockholm will take over Malmö Konsthall.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
