Use quotes for an exact search. For example, "Edvard Munch".
Museums Must Become Active Allies in the Climate Struggle
Condemning activists who take action against art is easy. But do museum directors actually take the climate crisis seriously?
Use quotes for an exact search. For example, "Edvard Munch".
Condemning activists who take action against art is easy. But do museum directors actually take the climate crisis seriously?
In the virtual realm, af Klint’s spiritual vision of a temple is sacrificed on the altar of high-tech revelry.
This is how it will free our brains from the grip of big tech.
Documenta can be seen as a school for anti-fascist living. But in what sense can an exhibition be a school?
Election bullshit, hot air, down-at-heel flip-flops, and a delightful drop-out artist. The Danish art autumn is whipping into a frenzy.
The Norwegian art autumn will offer plenty of laughs; just don’t forget to worry about the future and the impact of new technology.
Gems and bonanzas light up the Swedish art autumn.
Is the scandal engulfing Documenta 15 a tragedy of the arts, criticism, or the German debate on anti-Semitism?
In a society characterised by growing inequality, Norway’s new National Museum seeks to respond to demands for greater accessibility and wider representation.
The resurgence of Surrealism in contemporary art, with this year’s Venice Biennale as a case in point, raises a dilemma: should morality still subsume itself to desire?
No more censorship: Russian artist Sergei Prokofiev’s work is once again part of the Spring Exhibition. The chair of the Charlottenborg Foundation, artist John Kørner, has resigned from the board.
A new exhibition at Lund Konsthall holds the key to a progressive, and playful, debate on public art.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.