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The Actually Actual
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
Use quotes for an exact search. For example, "Edvard Munch".
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
The closure of National Gallery of Denmark’s X-room is symptomatic: in the dark ages following policies of budget cuts spaces for artistic experiment erode.
Who gets heard on the art scene, in gender discussions, and in society? It seems that the white man’s system still governs the debate on gender and representation.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Are we seeing a ketchup effect? Two years after #MeToo arrived, Denmark discusses equality and gender quotas in typically haphazard fashion, but at a new level.
Even in its struggle against kitsch, pop music is a flypaper for our memories. Can art be the same?
If everyone knew that control society was being realized, then why did panic not erupt?
The Office for Contemporary Art Norway invites us to step away from the Western canon. A radical multi-voicedness awaits on the other side. But how does this affect the tradition of canon criticism?
Experiential art is the new black on the exhibition scene. It does everything it can to ensure its audience has fun, and tickles the narcissist in us all. Because it’s all about us, the viewers.
How can art and culture overcome the fatalism of today? Can thought and hand once again be united? Only Boris Johnson’s id can save us now
Carsten Höller looms large over the Danish art scene this autumn, alongside dreadfully thin-skinned pottery and a hospital for self-medication.
This autumn season, the Norwegian art scene will see a record-breaking number of mid-career solo shows, and paintings that engage with nature and architecture.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.