Agatha Wara is an artist and writer based in Oslo.
The Actually Actual
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
In the midst of her largest retrospective to date, artist Zdenka Rusova talks about the singular question of her life and work.
Yngve Holen and Agatha Wara take an all-electric SUV for a test ride and talk about Holen’s exhibition that opens at Kunstnernes Hus in Oslo.
How Destiny’s Gratinée at Kunstnernes Hus sent me into a meditation on hats and painted chambers from the 15th century.
The New Museum Triennial opens this week. A post-ISIS baby, it comes into this world at a time of impending global economic and climate doom, yet it brings positive future scenarios.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.