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An Unusual Tribute
John Skoog’s exhibition about the late artist Richard Vogel emphasises working in common as a fundamental component of artistic practice.
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Survival Machines
Lina Selander’s exhibition at Göteborg’s Konsthall shows that she is an enlightenment artist. Her work is about specific ways of creating distinctions and stopping the flow of images.
The Group Exhibition as a Proposal for Discussion
The EMMA museum in Espoo, Finland, celebrates ten years since its inauguration with a new exhibition series about time, gaze and the imprints made by human conditions. The first edition oscillates between inertia and provocation.
A New Art History Emerging
The National Museum’s presentation of Sidsel Paaske reveals the contours of a new, cultural art history. But the method prompts doubts: Can the artworks not stand their ground outside a rhetorical scenography?
World of Interiors
An autumnal home story, a déjà-vu, and his trademark pastels: Marc Camille Chaimowicz furnishes his exhibition in sublime ambiguity, but the tyranny of our times pulls things into perspective.
Tense Bodies
The opening exhibition at Kunsthall Trondheim, this is a political (painting), advances a somewhat cautious take on body politics.
The Igniting Spark
At Tensta Konsthall in Stockholm, Natascha Sadr Haghighian has created a space for the passions common to urban riots as a distinctly contemporary phenomenon.
The Underground Melancholic
Any painterly Eros in Sergej Jensen’s paintings is necrophiliac by nature. The past served up as an outstretched hand that crumbles as you reach out to grab it.
Into the Invisible Depths of Radioactive Futures
A timely exhibition at Bildmuseet in Umeå takes a look at that which we cannot see, but which nevertheless impacts life on Planet Earth beyond the human scale.
Critical Eye Fitness
GCC’s exhibition in New York presents us with the most recent trend to emerge in the United Arab Emirates: New Age propaganda.
Sweden’s Future Unfolded
An exhibition at Malmö Konstmuseum charts the effects of industrialization on Swedish society. It is in the places abandoned by history that our true future becomes visible.
Who Are Your Real Friends?
Sandra Mujinga’s exhibition Real Friends at Oslo Kunstforening is well-orchestrated, feverish, and ultimately has faith in the spectator. In the form of a gorilla.
