The Danish government’s bill to counteract Quran burnings sacrifices art’s autonomy, ambiguity, and freedom.
Lee Lozano’s caustic cultural critique depicts the violent perversions on which American culture is founded.
Democracy melts on the surface of a light-making machine. At Charlottenborg Hito Steyerl brilliantly demonstrates why: capitalism is realising the alchemists’ vision of commanding light.
Any painterly Eros in Sergej Jensen’s paintings is necrophiliac by nature. The past served up as an outstretched hand that crumbles as you reach out to grab it.
Louisiana’s Op Art exhibition is not banal razzle-dazzle. It is a gem of retinal queerness. But the museum misses a splendid opportunity to revise the reception history of the genre.
The Anthropocene Project conference in Berlin marked the beginning of an ambitious research project aimed at creating a new cosmology in light of our new man-made geological epoch.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’, says Tone Hansen, who will lead the Swedish museum through a major institutional merger.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
