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Why the unlikely trio of Gabriel Kuri, Knut Henrik Henriksen and Richard Tuttle succeed in making a convincing case for the autonomy of art, even in site-specific interventions in Bergen.
– Nothing could ever be «poetic», and poetry is not an empty container that you could fill with meaning, says Karl Larsson, whose new book is released along with an exhibition at Galleri Signal in Malmö.
Angela Novi’s exhibition at the Living Art Museum in Reykjavik doesn’t pull its political punches, nor does it compromise its artistic credentials.
When Lars von Trier utters the word «Gesamt» it immediately takes on juicy totalitarian overtones that go beyond any cautious democratic expectations about relational aesthetics.
Once the last page has been read it is difficult to shake the feeling that Bjarne Melgaard’s novel is actually a piece of quite good late modernist prose.
The Boutique exhibition at the Amos Andersson Museum in Helsinki shows that it is difficult to fight consumerism by consuming.
No new perspectives on postmodern art are presented at the new Astrup Fearnley Museet; rather, it seems to have played out its part.
With such wide-ranging ambitions I Wish This Was A Song at the Museum of Contemporary Art in Oslo almost had to become a very varied affair. Which is fine when you deliver – as this exhibition does.
A closed glass door with a felt-pen handle and a horse with a gift for mathematics. Judith Hopf gives biopolitics a facelift at Malmö Konsthall.
Jarmo Mäkilä makes a comeback at Pori Art Museum and one question dominates the show: what does it mean to be a little boy?
Elmgreen & Dragset’s Han is annoyingly banal as an idea and as an image in a newspaper, but standing on the pier in front of the Culture Yard one sees that it actually works as an object.
Carolyn Christov-Bakargiev’s dOCUMENTA (13) combines object-oriented scientism with humanistic empathy.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
