Stian Gabrielsen er norsk redaktør for Kunstkritikk. Han er utdannet ved Kunstakademiet i Oslo, hvor han også er bosatt.
Stian Gabrielsen is Kunstkritikk’s Norwegian editor. He was educated at the Art Academy in Oslo, where he also lives.
Momentum 7 is divided into two almost polemically different parts. This year’s biennial is gently low-key with a slightly constrained feel to it, yet it also features a couple of radical approaches.
Oslo’s Academy of Fine Arts is commissioner of the Central Asian pavilion at the Venice Biennale, with curators from Kazakhstan and Portugal and Dutch and US financing.
Curators announce the 2013 Lofoten International Art Festival; a February screening of Picasso in Palestine, introduced by Charles Esche, sets the tone for this autumn’s LIAF.
– I think that the permanent crisis of copyright is inextricably linked to the permanent crisis of capitalism. So says Rasmus Fleischer, founder of Piratbyrån, to Kunstkritikk.
The curators behind the exhibitions I Wish This Was a Song at Museet for samtidskunst in Oslo and Mer än ljud at Bonniers Konsthall in Stockholm speak on the subject of music in contemporary art.
Snorre Ytterstad’s works at the National Museum offer invitingly effective production, but a didactic relation to history mars them.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.
Matias Faldbakken will create memorial to the 2011 terror attack in Oslo.
The Swedish government’s plan to create an institutional behemoth, Moderna, is ill-advised and reckless.
