Curator Steffen Håndlykken has begun to value the slow work that takes place deep within the museums.
The new director of Kunsthall Trondheim, Stefanie Hessler, wants to engage the local technology and science community, but not to affirm staid notions of progress.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
