Pernille Albrethsen, f. 1971, kritiker, forfatter og redaktør for Kunstkritikk i Danmark. Cand.mag. i Moderne kultur fra Københavns Universitet og New York University. Virker også som kunstkritiker på Weekendavisen.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
Warsaw’s Museum of Modern Art was already a respected institution. The reopening in a new building leaves no doubt that it is one of Europe’s top museums.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
The Danish art institutions offer female pleasure and Artificial Intelligence. Meanwhile, art students in Aarhus are well prepared for an autumn of activism.
Henriette Heise studies the late work of deceased artists to learn how others found the strength to make art despite living lives full of adversity, crisis, and war.
The work Take the Money and Run becomes part of the collection.
In Denmark, the International Women’s Day was about women of the nation cast in bronze and women of the desert of flesh and blood.
Denmark is awash with spring blockbusters – plus glimpses of experiments and resistant poetics.
David Hockney’s retrospective at Fondation Louis Vuitton is full of new beginnings.
Digital textures are punctured by lived experience in Ed Atkins’s retrospective at Tate Britain.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
