Pernille Albrethsen, f. 1971, kritiker, forfatter og redaktør for Kunstkritikk i Danmark. Cand.mag. i Moderne kultur fra Københavns Universitet og New York University. Virker også som kunstkritiker på Weekendavisen.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
Warsaw’s Museum of Modern Art was already a respected institution. The reopening in a new building leaves no doubt that it is one of Europe’s top museums.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
The Danish art institutions offer female pleasure and Artificial Intelligence. Meanwhile, art students in Aarhus are well prepared for an autumn of activism.
Henriette Heise studies the late work of deceased artists to learn how others found the strength to make art despite living lives full of adversity, crisis, and war.
The work Take the Money and Run becomes part of the collection.
In Denmark, the International Women’s Day was about women of the nation cast in bronze and women of the desert of flesh and blood.
Denmark is awash with spring blockbusters – plus glimpses of experiments and resistant poetics.
A visit to a flower shop was one of the strangest encounters of the year, reports Kunstkritikk’s editor in Denmark.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
Ghost photography has resurfaced in museum image banks.
