What could the art world learn from coronavirus? Reflections of a nomadic art globetrotter in her quarantine in Tuscany.
The new MoMA relinquishes its position as the model museum in order embrace diverse, queer, and complex subjectivities, and give modernism a new beginning.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
