The Real Crisis of Criticism
If Norwegian art critics have a marginal role in the public eye, they have only to blame their collective aversion to risk.
If Norwegian art critics have a marginal role in the public eye, they have only to blame their collective aversion to risk.
Art criticism is losing its footing amid obsessive demands for distribution and relevance. This is a problem for art too.
The Danish government’s bill to counteract Quran burnings sacrifices art’s autonomy, ambiguity, and freedom.
With the introduction of tuition fees for international students, Norway has become one of the most heavily guarded towers in Fortress Europe.
Art is artistic again: sometimes enchanting, sometimes plain commercial. But with formal criteria long left behind, how do we tell the difference?
The autumn exhibition season comes into full bloom this week. The lushness is particularly striking among female artists – the young and the overlooked.
The autumn season on the Norwegian art scene arrives with the auspicious scent of oil on canvas, older artists, plant-based cuisine – and garbage.
During the Swedish art autumn, political doom and gloom is met with a pensive artistic poise. Also, Danish artists of the moment make their way across Øresund.
WEXFO World Expression Forum 2023 was a reminder that being a host is a powerful and privileged position.
Norwegian proposals for increased funding for periodicals and criticism should not only be heeded by the authorities, but also serve as inspiration for colleagues in other countries.
The National Museum of Norway must take responsibility for contextualising Christian Krohg’s controversial nineteenth-century painting Leiv Eiriksson Discovering America.
This year’s Transmediale festival finds a break from digital doom and gloom in club culture’s collective moments of bliss.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.