Sociology and the Heart
Rosemarie Trockel’s monumental exhibition in Frankfurt is an overwhelming encounter with the intensely idiosyncratic abundance from which her art is composed.
Rosemarie Trockel’s monumental exhibition in Frankfurt is an overwhelming encounter with the intensely idiosyncratic abundance from which her art is composed.
Everything moves at Copenhagen Contemporary. But movement is, as we know, relative when we can’t stand still ourselves.
Inuuteq Storch will be the first artist from the North Atlantic region of the Danish commonwealth to represent Denmark at the Venice Biennale.
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
Whether sculptures can be true is probably impossible to determine. Benjamin Hirte has made four monoliths: an attractive and funny invitation to contemplate the word.
In Odense Aka Høegh draws expressive lines between Greenlandic mythology and postcolonial identity, and points to the interconnectedness of everything.
Kimsooja’s ethereal refracted light drowns in the darkness of Copenhagen’s Cisternerne.
Jeremy Deller’s exhibition in Copenhagen has a densely symbolic Britannia vibe, but his watchable videos counterbalance the giggly atmosphere with fewer jokes and greater nuance.
Occult rituals meet techno raves as curator and Gothic high priestess Agnes Gryczkowska conjures up healing communities in Paris.
Who will save the city from the rich? A spectacular venue in central Copenhagen forms a tight framework for Vermilion Sands’s softly curated show.
Dana Schutz paints human foolishness with expressive gestures, large formats, and thousands of references. Yet it feels as if something remains unsaid.
In Brussels, an exhibition about Hilma af Klint and likeminded spirits, asks what happens when Sweden finally lets her hair down. The answer – in part – is that she is hospitalised.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Showcase images always feature a pair of hands presenting something to us, often another image.