Sociology and the Heart

Rosemarie Trockel’s monumental exhibition in Frankfurt is an overwhelming encounter with the intensely idiosyncratic abundance from which her art is composed.

Around 1996

Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.

True Stone

Whether sculptures can be true is probably impossible to determine. Benjamin Hirte has made four monoliths: an attractive and funny invitation to contemplate the word.

Like the Raven

In Odense Aka Høegh draws expressive lines between Greenlandic mythology and postcolonial identity, and points to the interconnectedness of everything.

Patriotism 2.0

Jeremy Deller’s exhibition in Copenhagen has a densely symbolic Britannia vibe, but his watchable videos counterbalance the giggly atmosphere with fewer jokes and greater nuance.

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