Around 1996
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
One feels close to the art-historical scene of the crime in OEI’s thematic issue on concept art in Sweden.
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Kateryna Lysovenko turns violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Five great works in and around Copenhagen right now.