Around 1996
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
One feels close to the art-historical scene of the crime in OEI’s thematic issue on concept art in Sweden.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.
Matias Faldbakken will create memorial to the 2011 terror attack in Oslo.