Around 1996
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.
One feels close to the art-historical scene of the crime in OEI’s thematic issue on concept art in Sweden.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
Moderna Museet’s painting bonanza glitters, but leaves little room for sustained looking.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.