Girl Power for a New Century
Friends, colleagues, artists, and activists. Apolonia Sokol creates radical forms of resistance through portrait painting.
Friends, colleagues, artists, and activists. Apolonia Sokol creates radical forms of resistance through portrait painting.
Not all instruments are tuned to perfection in Frederik Næblerød’s Masquerade at Gl. Holtegaard. I danced anyway.
‘We stand on the shoulders of those who came before us,’ say Julia Rodrigues and Francesca Astesani, the curators behind Charlottenborg’s anniversary exhibition.
Pussy Riot delivers a frantic and riveting exhibition at Louisiana, but it runs the risks of becoming a short-term fix.
The Danish government’s bill to counteract Quran burnings sacrifices art’s autonomy, ambiguity, and freedom.
A retrospective in Marseille wrests Algerian artist Baya free from the European tradition and offers an explicitly postcolonial and feminist reading of her work.
Art is artistic again: sometimes enchanting, sometimes plain commercial. But with formal criteria long left behind, how do we tell the difference?
Intense, delicate, and carnal, Jessie Kleemann is everywhere. Two parallel exhibitions show that her emphasis on physicality is both her work’s greatest strength and its weakest link.
The autumn exhibition season comes into full bloom this week. The lushness is particularly striking among female artists – the young and the overlooked.
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
Despite Kirsten Justesen’s decades of thinking outside the gender box, Kunsten in Aalborg has pigeonholed her.
‘I have always seen art as a lifesaver. As something that has driven me forward when I had difficulty finding my way home’, says performance artist Jules Fischer.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Showcase images always feature a pair of hands presenting something to us, often another image.