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Per Inge Bjørlo’s first major retrospective exhibition opened 20 October at the Henie Onstad Art Centre, an institution that has followed Bjørlo since the outset of his artistic career.
The symposium A Thousand Eyes at the Henie Onstad Art Centre seemed at first glance to sprawl in many directions but became a focused opportunity for thought about images and the law.
The Lebanese artist Akram Zaatari is the first artist to exhibit under the banner of Oslo Contemporary Art Exhibition. The exhibition is currently on view at Kunstnernes Hus.
“Since I was a child, poetry has been the important source of a connection to the written world,” says Jason Dodge, whose solo exhibition opened Friday at galleri Andersen’s in Copenhagen.
The Van Abbemuseum in Eindhoven is currently under attack for its radical and open program. In this interview, director Charles Esche discusses what he calls “the possibility of politics.”
Tonight, Kunsthal Charlottenborg opens an exhibition by Simon Starling. Kunstkritikk spoke with him about puppet theatre, storytelling and the making of books.
– In my fantasy super-state I would cut some of the links that connect us and make the art world less global, says Omer Fast whose exhibition at Hordaland Art Center opens tomorrow.
The sixth Momentum Biennial in Moss struggles in vain with its own lack of conceptual coherence.
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In a recent lecture in Rotterdam, Nicolaus Schafhausen wished to pour cold water on the many discourse-lovers and meta-curators among us.
This week Carlos Motta will launch his project «We Who Feel Differently» with panel discussions in Bergen and Oslo. He talked to Kunstkritikk about art as fantasy and freedom.
– I think that psychedelic art and culture also contain relatively dialectical aspects – obscenity, irritation, radical skepticism, says critic and curator Lars Bang Larsen in this interview about his publication series on contemporary art in the age of the experience economy.
– I’m a collector of materials, comments Joan Jonas, who opens her new exhibition at Bergen Kunsthall tonight.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
