The Van Abbemuseum in Eindhoven is currently under attack for its radical and open program. In this interview, director Charles Esche discusses what he calls “the possibility of politics.”
This year’s LIAF (Lofoten International Art Festival) is emphasizing local roots and narrative, but the curatorial elbow room is restricted by overly limited resources.
In a recent lecture in Rotterdam, Nicolaus Schafhausen wished to pour cold water on the many discourse-lovers and meta-curators among us.
– I think that Picasso with Guernica began to realize that what he could show us is a proximity that is at the same time foreign and horrifying, art historian T.J. Clark says in this interview.
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
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