The Van Abbemuseum in Eindhoven is currently under attack for its radical and open program. In this interview, director Charles Esche discusses what he calls “the possibility of politics.”
This year’s LIAF (Lofoten International Art Festival) is emphasizing local roots and narrative, but the curatorial elbow room is restricted by overly limited resources.
In a recent lecture in Rotterdam, Nicolaus Schafhausen wished to pour cold water on the many discourse-lovers and meta-curators among us.
– I think that Picasso with Guernica began to realize that what he could show us is a proximity that is at the same time foreign and horrifying, art historian T.J. Clark says in this interview.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
