Use quotes for an exact search. For example, "Edvard Munch".
Dabbling with an early computer led Albert Oehlen to not only redefine his approach to painting, but also question artistic practice as such. He could be a role model for the AI generation.
Ilavenil Vasuky Jayapalan’s exhibition Eezhavati at Kunsthall Oslo, serves as a space for gathering strength.
Elina Merenmies’s retrospective in Turku draws on her Christian Orthodox faith to deepen our understanding of an oeuvre reverberating with grace.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
At the National Museum in Stockholm, art is reborn as art in enlightened dialogue with the past.
Constance Tenvik’s interpretation of Greek antiquity at the Munch Museum in Oslo substitutes sexual and violent excesses for burlesque games.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
