The Thinking Woman’s Shaman
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Paul McCarthy meets Scandinavian collectivism in Josefin Arnell’s films at Index in Stockholm.
From instagram fame to art world success. Norwegian Trude Viken’s show at Belenius in Stockholm returns us to a realm of childhood attachments.
David Garneau wants to write about Indigenous art with critical care.
Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.
Revisiting the strategic essentialisms of the 1990s, Salad Hilowle’s complacent debut at Cecilia Hillström hints at the bankruptcy of Sweden’s cultural economy.
In their first major presentation in Sweden, the Swiss duo Pauline Boudry & Renate Lorenz ask whether clubbing can inspire a progressive political movement.
At Mint in Stockholm, an international group show offers a mind-expanding mix of erotics and poetry.
How is love complicit in the creation of racial hierarchies? The Swedish author and scholar offers a valuable lesson.
Ina Blom’s new essay collection enjoins us not to affirm what makes us feel most at home, but rather to attend to our feelings of estrangement.
Lunds Konsthall presents Gülsün Karamustafa’s work as a response to government repression in Turkey.
Karl Katz Lydén’s new book falls short of its lofty aim to break the barrier between art and society.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.