2 December Gustavsson
Which were the raunchiest and most shocking exhibitions in 2020? Today we hear from Martin Gustavsson, who is an artist based in London and Stockholm.
Which were the raunchiest and most shocking exhibitions in 2020? Today we hear from Martin Gustavsson, who is an artist based in London and Stockholm.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
