How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
The Berlin film festival’s experimental extension seeks to renegotiate the relationship between moving images and life.
– I always thank the machine for its creativity, says mail art pioneer Paulo Bruscky. Tomorrow, Friday, he performs at Andquestionmark in Stockholm.
– I like to understand the camera as a machinic-companion, says Elke Marhöfer, whose films are shown at Cinematiket and Fylkingen in Stockholm, today and tomorrow.
Bouchra Khalili’s exhibition at Färgfabriken in Stockholm shows the undocumented migrant as a subject with political agency.
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
Unlike a superhero movie, the 10th Göteborg Biennial does not seek to reach an audience consisting of all the people on earth.
At Statens Museum for Kunst, Shahryar Nashat has produced a captivating immersive experience that is both seductive and claustrophobic.
Dealing with bad art, the book Bad Writing is gloriously perverted in places. But it is also a slightly surly attack on what it calls ‘political correctness’.
‘In order to move on, you must also turn back’, says Lisa Rosendahl, curator of the 10th edition of the Göteborg Biennial, opening this Saturday.
Kunstkritikk is supported by
