Skribent och redaktör för filmmagasinet Walden. Verksam i Stockholm.
”Here, it’s personal”
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
A new book on the singular artist, filmmaker, and electronic musician Åke Karlung redraws the map of Sweden’s experimental scene in the 60s.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
The Berlin film festival’s experimental extension seeks to renegotiate the relationship between moving images and life.
– I always thank the machine for its creativity, says mail art pioneer Paulo Bruscky. Tomorrow, Friday, he performs at Andquestionmark in Stockholm.
– I like to understand the camera as a machinic-companion, says Elke Marhöfer, whose films are shown at Cinematiket and Fylkingen in Stockholm, today and tomorrow.
Bouchra Khalili’s exhibition at Färgfabriken in Stockholm shows the undocumented migrant as a subject with political agency.
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
In Malmö, Tal R and Mamma Andersson cozy up with nineteenth-century renegade Carl Fredrik Hill in a fun show that struggles to make a lasting impression.
Everything moves at Copenhagen Contemporary. But movement is, as we know, relative when we can’t stand still ourselves.
In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.
Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.