Skribent och redaktör för filmmagasinet Walden. Verksam i Stockholm.
”Here, it’s personal”
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
A new book on the singular artist, filmmaker, and electronic musician Åke Karlung redraws the map of Sweden’s experimental scene in the 60s.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
The Berlin film festival’s experimental extension seeks to renegotiate the relationship between moving images and life.
– I always thank the machine for its creativity, says mail art pioneer Paulo Bruscky. Tomorrow, Friday, he performs at Andquestionmark in Stockholm.
– I like to understand the camera as a machinic-companion, says Elke Marhöfer, whose films are shown at Cinematiket and Fylkingen in Stockholm, today and tomorrow.
Bouchra Khalili’s exhibition at Färgfabriken in Stockholm shows the undocumented migrant as a subject with political agency.
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
After art’s artistic turn, mood is the new benchmark for quality in contemporary art, positing a philosophically sustainable alternative to spectacle and newness.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.