Skribent och redaktör för filmmagasinet Walden. Verksam i Stockholm.
”Here, it’s personal”
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
A new book on the singular artist, filmmaker, and electronic musician Åke Karlung redraws the map of Sweden’s experimental scene in the 60s.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
The Berlin film festival’s experimental extension seeks to renegotiate the relationship between moving images and life.
– I always thank the machine for its creativity, says mail art pioneer Paulo Bruscky. Tomorrow, Friday, he performs at Andquestionmark in Stockholm.
– I like to understand the camera as a machinic-companion, says Elke Marhöfer, whose films are shown at Cinematiket and Fylkingen in Stockholm, today and tomorrow.
Bouchra Khalili’s exhibition at Färgfabriken in Stockholm shows the undocumented migrant as a subject with political agency.
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.