Tori Wrånes, Klara Kristalova, and Benjamin Orlow will exhibit together at the 61st Venice Biennale in 2026.
Elina Merenmies’s retrospective in Turku draws on her Christian Orthodox faith to deepen our understanding of an oeuvre reverberating with grace.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Serlachius in Finland goes all in with a sprawling, amusing and disturbing show about masks.
Tschabalala Self’s Finnish debut is a celebration of the artist’s neighbourhood in Harlem.
Nina Beier reminds us that no relationship should be considered unexpected in the 21st century.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Ryoji Ikeda’s exhibition in Helsinki is a perfectly executed sensory manipulation.
Three exhibitions in Helsinki attest that tradition still weighs heavily on Finnish photography, despite the new generation’s playful and crowd-pleasing attitude.
Painter, draughtsman, museum director, thinker… The multifaceted Romanian artist Horia Bernea is featured in a dreamy retrospective at Kohta in Helsinki.
The second edition of the Helsinki Biennial is soaked in techno-new age mumbo-jumbo.
At Moderna Museet, Nan Goldin’s unyielding world of images is given a luminous setting.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
Ghost photography has resurfaced in museum image banks.
