Minia Biabiany’s exhibition at Signal in Malmö deals with the will to forget colonial history. Its starting point is Guadeloupe’s time as a Swedish colony, 1813–1814.
– My proposal advocates tapping into the ability of art to tell us about the future, says Maria Lind who will be curating the 11th Gwangju Biennial in South Korea next year.
Institutet’s performance Toleranshuvan Reloaded at Malmö Konsthall draws a dangerous border between people and implies that the situation cannot be changed.
The new directors at Konsthall C in Stockholm are Jens Strandberg and Jenny Richards, who start with an exhibition by Mierle Laderman Ukeles opening this weekend.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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