Minia Biabiany’s exhibition at Signal in Malmö deals with the will to forget colonial history. Its starting point is Guadeloupe’s time as a Swedish colony, 1813–1814.
– My proposal advocates tapping into the ability of art to tell us about the future, says Maria Lind who will be curating the 11th Gwangju Biennial in South Korea next year.
Institutet’s performance Toleranshuvan Reloaded at Malmö Konsthall draws a dangerous border between people and implies that the situation cannot be changed.
The new directors at Konsthall C in Stockholm are Jens Strandberg and Jenny Richards, who start with an exhibition by Mierle Laderman Ukeles opening this weekend.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
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