‘In order to move on, you must also turn back’, says Lisa Rosendahl, curator of the 10th edition of the Göteborg Biennial, opening this Saturday.
Can Tori Wrånes’s melancholic fairy-feminism save us from patriarchy?
Maria Lindberg’s exhibition at Malmö Konsthall is a textbook example of how stripped-down everyday scenarios produce absurd effects.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Fredrik Svensk.
Lina Selander’s exhibition at Göteborg’s Konsthall shows that she is an enlightenment artist. Her work is about specific ways of creating distinctions and stopping the flow of images.
Nina Möntmann is a curator and theorist, and Goran Hassanpour is an artist. We met them for breakfast at Hotel Orion.
This year’s Moderna Exhibition showcases art from the Baltic region, mixing work from different epochs. The result is an exhibition without a guiding idea, so contemporary that it falls out of step with the times.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
