Profound like ABBA
Alexander Basil’s self-portraits at Nevven in Gothenburg are a bit banal, almost kitschy. At the same time, they harbour something deeply dark.
Alexander Basil’s self-portraits at Nevven in Gothenburg are a bit banal, almost kitschy. At the same time, they harbour something deeply dark.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
