Licking Salt
Anawana Haloba’s exhibition at the National Museum of Norway is so visceral it sets your tongue tingling.
Anawana Haloba’s exhibition at the National Museum of Norway is so visceral it sets your tongue tingling.
Palais de Tokyo struggles to revive the once passionate affair between American art and French thought.
Britain’s bawdiest artist defanged in Helsinki.
Lina Selander turns Marabouparken into a field of dazzling, haunting, and ethically unresolved images.
Does Tate’s Turbine Hall have room for anything other than monumental one-liners? Máret Ánne Sara gives it a try.
Lutz Bacher shook great works out of her sleeve with an effortlessness impossible to fake.
Moderna Museet favours spectacle over substance.
Bergen Assembly sets out to gather allies for a feat of collective thinking.
The 13th Gothenburg Biennial is an assembly kit for institutional conscience.
In painting, figuration is always a form of reduction, but reducing the paintings of art market darling Issy Wood to reflections of millennial woes falls significantly short.
Relational aesthetics goes dark at Bonniers Konsthall.
Irreverent, intimate, and unmistakably herself.
Geopolitics looms over everything in Denmark. But not on the art scene, which is serving up glam-rock, food happenings, and solo shows featuring international heavyweights.
The Swedish spring is marked by aesthetic confidence and structural uncertainty.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Greenland’s art scene has arrived. Shamans assist the curators, and the world’s first-ever national gallery devoted to the art of an Indigenous People is taking shape in Nuuk.