Alpha Vulnerability
Digital textures are punctured by lived experience in Ed Atkins’s retrospective at Tate Britain.
Review
She’s Still Here
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Fake Like Snow
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Nextgen Lethality
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
A Splash Becomes a Car that Crashes and Becomes a Splash
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Art von Trier
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
Systems Failure
Goldin+Senneby are known for their brainy conceptualism. At Accelerator in Stockholm they have created their most personal exhibition yet.
We Are Doomed
Irony gives way to sincerity in Anne Imhof’s spectacular performance at Park Avenue Armory in New York.
Fata Morgana
Eliyah Mesayer’s fictional state has pitched its black tents in Aarhus. For those already familiar with Illiyeen, the project appears to be stagnating. Perhaps that is the point.
The Centre Cannot Hold
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
The Optimist
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Drain the Sea
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
