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Modernism 2.0
The exhibition Slow at Helsinki Kunsthalle is about form, material and craft. What does this have to do with slowness?
Archive
All articles (19)
That which remains
The romantic search after the sublime in death is still present in art and the exhibition Summer Moved On at Kurant demonstrates that the theme is far from exhausted
Strategic mumbling
NoPlace again replaced “young and alternative” with a more established artist, this time Vibeke Tandberg, who showed new works and launched a new book in the exhibition Mumbles.
Assemblage Degree Zero
The works in Nina Beier’s exhibition at Charlottenborg are based on unexpected juxtapositions of objects that don’t mean anything.
Duchamp’s Poetic Geometry
Ulf Linde’s half a century of work on Marcel Duchamp was presented at the Royal Swedish Academy of Fine Arts in Stockholm. Geometry is at the center and Duchamp turns out to be an artist obsessed with the missing eighth.
The transparent exhibition
The problem with Seeing is believing at Kunstwerke in Berlin can be called an overestimation of the transparent powers of the exhibition as a form to accommodate works of pictorial criticism.
Art and prostitution
John Kørner’s paintings of women prostitutes are filled with creative energy at the formal level. But the energy doesn’t always carry across to the political level.
Democracy’s new opponents
The exhibition Details in Bergen Kunsthall functions primarily as a confirmation that we lack a language for understanding the new forms of opposition to democracy in Europe.
After the White Cube
The Twelfth Istanbul Biennial’s conservatism is the necessary condition for a series of radical curatorial decisions and artistic positions.
Reactive creativity
The creative fever at the Gothenburg Biennial is a critical reaction that remains dependent on the system it wants to oppose.
Byrne’s maelstrom
With Loch Ness, non-site at Galleri Nordenhake Gerard Byrne returns to the fantasy of the photograph’s documentary power.
Reading an Exhibition
The Spiral and the Square: Exercises in translatability at Bonniers Konsthall raises basic questions about how one reads a wide-ranging group exhibition.
